Posted on September 8, 2017
"Arts and crafts" is something that people include in kids' programs held at public parks, at Girl Scout meetings, in old folks' homes, and so forth. You say "arts and crafts," and I'm as likely to think of macaroni pieces glued to a piece of cardboard as I am of the late-19th- and early-20th-Century Arts and Crafts movement.
Like any other art movement, the Arts and Crafts movement was complex, featured the ideas of many different individuals, and is hard to sum up in just a sentence or two. But one motivation for the movement was the fact that household items were, by and large, no longer hand crafted but rather were manufactured goods coming out of factories. In the 1880s, designers criticized these goods as poorly designed and also too ornate (overly decorated, with too many poorly-thought-out details).
William Morris, one of the "biggies" in the Arts and Crafts movement, thought that design and manufacture should be integrated. Design is sort of a mental or intellectual thing - dreaming up an idea of what something looks like, and communicating that idea with drawings and descriptions. Actual manufacture of the object is, of course, physical. And Morris thought that whoever did the design should ALSO know how to do the physical task of making the item and should also be making decisions about the manufacturing of the item.
He thought that the utility - the actual, practical use - of the item was more important than the appearance of the item - but he still cared a lot about the appearance. As a matter of fact, he thought people should be surrounded by beautiful, well-made things.
The result of the Arts and Crafts movement was that people who designed things, and also people who did things that were considered "handicrafts," making practical things like bowls and houses and shawls and jewelry, were elevated to the status of artists. It used to be that only painters and sculptors were "really" artists.
(We still use "fine arts" to mean the kinds of products, like paintings and statues, that have no practical use but are enjoyed only for their aesthetic or intellectual appeal.)
Today, in order to celebrate the Arts and Crafts movement and its results, we celebrate the birthdays of four artists who work with "crafts" mediums:
Barbara Walch - ceramics
Sonja Blomdahl - glass
Richard H. Reinhardt - metal smithing / jewelry making
Augustus Aaron Wilson - wood carving
Like any other art movement, the Arts and Crafts movement was complex, featured the ideas of many different individuals, and is hard to sum up in just a sentence or two. But one motivation for the movement was the fact that household items were, by and large, no longer hand crafted but rather were manufactured goods coming out of factories. In the 1880s, designers criticized these goods as poorly designed and also too ornate (overly decorated, with too many poorly-thought-out details).
William Morris, one of the "biggies" in the Arts and Crafts movement, thought that design and manufacture should be integrated. Design is sort of a mental or intellectual thing - dreaming up an idea of what something looks like, and communicating that idea with drawings and descriptions. Actual manufacture of the object is, of course, physical. And Morris thought that whoever did the design should ALSO know how to do the physical task of making the item and should also be making decisions about the manufacturing of the item.
He thought that the utility - the actual, practical use - of the item was more important than the appearance of the item - but he still cared a lot about the appearance. As a matter of fact, he thought people should be surrounded by beautiful, well-made things.
The result of the Arts and Crafts movement was that people who designed things, and also people who did things that were considered "handicrafts," making practical things like bowls and houses and shawls and jewelry, were elevated to the status of artists. It used to be that only painters and sculptors were "really" artists.
(We still use "fine arts" to mean the kinds of products, like paintings and statues, that have no practical use but are enjoyed only for their aesthetic or intellectual appeal.)
Today, in order to celebrate the Arts and Crafts movement and its results, we celebrate the birthdays of four artists who work with "crafts" mediums:
Barbara Walch - ceramics
Sonja Blomdahl - glass
Sonja Blomdahl is a glassblower who studied her craft (art) in Sweden. Today she lives in Seattle, but her work can be seen in museums and galleries all over the world. |
Richard H. Reinhardt - metal smithing / jewelry making
Silversmith and jewelry designer Richard H. Reinhardt not only plied his craft (art), he also taught it, founding the jewelry and metalsmithing programs at the Philadelphia Museum of Art. |
Augustus Aaron Wilson - wood carving
Although most of his carvings are of ducks, shore birds, seagulls, and songbirds, Wilson occasionally carved other animals as well. |
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